On Thursday evening, The Duke and Duchess of Cambridge were supposed to attend the Tusk Conservation Awards at the Empire Cinema in Leicester Square before joining a reception at the National Portrait Gallery.
But in the afternoon the news came out that the Duchess will have to cancel her appearance due to her children. Later on, it was reported that one of the kid was not feeling well and there was no babysitter for the evening so Catherine had to cancel. As per the Hello,
Kensington Palace said, “Duchess was no longer able to go to the event “due to the children” but would still meet finalists at a tea at Kensington Palace on Thursday afternoon. “
Due to the change of the events, The Duke and Duchess of Cambridge hosted a reception at the Kensington Palace for the nominees and finalists.
Prince William became Royal Patron of Tusk in December 2005. The Duke has actively supported the charity’s work both privately and publicly on many occasions and last visited Tusk projects in Namibia and Tanzania in 2018.
For almost 30 years, Tusk has pioneered successful conservation action in Africa by protecting wildlife, empowering communities and advancing the frontline in the fight against the illegal wildlife trade. The annual Tusk Conservation Awards celebrate the achievements of extraordinary people, whose work protecting Africa’s natural heritage might otherwise go unnoticed outside their fields.
The Duke of Cambridge presented three awards before delivering a short speech. The Tusk Award for Conservation is given to an emerging leader in conservation in recognition of their contribution to date. The Tusk Wildlife Ranger Award recognises the dedication and bravery of rangers working to protect Africa’s increasingly threatened wildlife. The Prince William Award for Conservation in Africa is a lifetime achievement award which commends outstanding dedication and contribution to conservation.
Today, Queen Letizia undertook the only engagement scheduled for this week. She attended the opening of the exhibition ‘Goya Drawings – Only the will is left over’ at the Prado National Museum.
The exhibition is showing the work of Francisco José de Goya y Lucientes in chronological order. The artwork includes his drawings, Italian Notebooks and Bordeaux Albums.
Goya was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career were a commentator and chronicler of his era.
Upon, arrival, Queen Letizia toured the Museum and held a brief meeting with the Royal Board of the Prado National Museum and with the curators of the exhibition José Manuel Matilla and Manuela Mena.
This exhibition is the result of the work carried out to prepare a new chronological catalogue of Goya’s drawings through a collaboration agreement signed in 2014 by the Botín Foundation and the Prado Museum.
Since the 1973 Gassier catalogue was published, the number of drawings has undergone modifications and there has been a need to develop a new reasoned catalogue in which the huge collection of his work from more than two centuries ago can be updated.
The exhibition brings together more than a hundred of Goya’s drawings, coming from the Prado’s own collections and from public and private collections around the world.
In addition, it provides a modern vision of the ideas that the artist approached on a recurring basis during his life, and that highlights the survival and relevance of his thinking.
Letizia touring the exhibition.
Before leaving, Queen Letizia talked with the attendees and guests.
Ahead of the engagement, Queen quietly joined her Mother-in-law Queen Sofia for a visit to ‘New Future’ market. The duo was seen last time at the rake in 2013. As per Nurias’s report, Queen bought a 30Euro dress while Sofia made a purchase of Brooch costing Euro10.
Upon arrival, the Duchess of Cambridge will be presented with the bouquet called ‘Frosty Winter Garden’ that has real flowers & foliage picked from Charity’s care home – The Brinsworth House’s garden.
10 years old Lydia Jones presented the posy to Duchess.
The couple met with the cast of Mary Poppins including Petula Clark CBE, Zizi Strallen and Charlie Stemp. Rebecca English reported, “William asked where they were performing and Zizi told him it was the Prince Edward Theatre, opening this week. We are doing a show tonight,’ she added, explaining how the cast was racing to their performance after opening the variety show. ‘I love Mary Poppins!’ William exclaimed. Petula Clark told Kate she would have to bring the children to the show, to which she replied: ‘They would love it.”
The annual event was hosted by Rob Beckett and Romesh Ranganathan this year while performer names included the cast of Mary Poppins, Lewis Capaldi, Mabel, Robbie Williams, the cast of Come From Away, and a special collaboration by Emeli Sandé and Manchester’s Bee Vocal choir. Sir Rod Stewart was also scheduled to perform but had to step back due to the sore throat.
The comic pair introduced the royal couple and joked that they were on a ‘date night’ as the camera focused on them laughing and giggling in the Royal Box – William nodding with mock seriousness.
The comedians asked whether they had paid the babysitter to stay ‘until 12 or 1’ – joking: ‘It’s always worth £20 for the extra hour.’
Ranganathan said he, like the Cambridges, had three children and guessed that William and Kate thought the same thing when they saw their three little faces running into their bedroom each morning: ‘Why did we do this?’ The royal couple roared.
The Royal Variety was established in 1908 and its patronage is held by Her Majesty the Queen. The event is hosted in aid of the Royal Variety Charity, formerly the Entertainment Artistes’ Benevolent Fund of which the Queen is the patron. The Queen has attended the performance 39 times during her reign.
In July 1919, the second Royal show was performed and was the first to be billed a “Royal Variety Performance”. Held at London’s Coliseum, the show was staged as a ‘celebration of peace’ and, as the official announcement expressed it, “had been commanded by the King to show his appreciation of the generous manner in which artistes of the variety stage had helped the numerous funds connected with the war”.
The Royal Variety Charity assists those who’ve worked professionally in the entertainment industry and need help. The charity strives to support all those, both young and old, who’ve worked on the stage, in the wings, in front of a camera, or behind it, as well as all those who have spent their lives working in the numerous support industries dedicated to entertainment. The show is organized every year to help the entertainers throughout the UK who are facing hard times and need help and assistance as a result of old age, ill-health, or hard times.
The Charity owns and manages its own residential and nursing care home for elderly entertainers, Brinsworth House in Twickenham, and also offers a nationwide grant scheme to assist those living in their own homes wherever they reside in the UK. Plans to improve Brinsworth House are currently underway with a fundraising campaign. From RVP,
It’s a little-known fact that thousands of people who work in the entertainment industry face desperate problems each day. Only the top 4% (* 2015 UK survey / AC Nielson) of those who work in the entertainment industry are ‘above-average UK earners’. The vast majority live from ‘job-to-job‘, from ‘season-to-season’ – many spending long periods with no work at all & with little ability to make any plans for their futures, or providing themselves with any security should they have an accident, or fall ill.
It’s so ironic that many entertainers and those working behind the scenes in entertainment spend much of their working lives raising funds for other people’s charities, but giving little thought to their own future, security, or situation. Whether it be as a result of old age, ill-health or financial hardship, the Royal Variety Charity is here to help.
The Royal Variety Charity is the organisers and beneficiaries of the annual Royal Variety Performance. Now viewed by over 152 million television viewers worldwide, making it the most successful and longest-running entertainment show in the world.
A lovely moment of Duke and Duchess enjoying the performances.
After the performance, the Duke and Duchess of Cambridge met the performers, hosts and the ITV executives backstage.
Duchess met six-year-old Aurelia from an acrobatic group whom she told that George and Charlotte love doing Carthweel at home. Continuing from Rebecca’s story,
William was left in stitches was he was jokingly handed a ‘commemorative’ tea towel by the show’s hosts, comedians Rob Beckett and Ramesh Ranganthan, which had their faces on instead of his and Kate’s. The prince roared with laughter and said he would try to find something to do with it.
Beckett said: ‘Maybe you know someone who might want it. ‘ ‘Yeah, the dog will love it,’ joked William, who told the the two men that hopefully they could relax now, When Kate was given a bouquet of flowers by two youngsters who star in the new Mary Poppins musical, Nuala Peberby, 14, and Fred Wilcox, nine, the prince told them: ‘How come I get a dodgy tea towel and she gets some flowers?’
Nuala revealed afterwards that Kate had told her that George and Charlotte – particularly her daughter – love performing and putting on little shows at home. ‘She said that her children love performing at home, particularly Charlotte,’ she said. ‘She told us how lucky we were to be on stage in the West End and asked how we managed to do it with all our school work. I can’t tell you how exciting it was to meet them.
Before leaving Catherine was presented with another posy.
For the evening, Duchess of Cambridge was wearing a black Alexander McQueen gown. The floor-sweeping lace gown is a new addition to Catherine’s wardrobe. The design of the maxi gown is the classic Duchess style. The silhouette of the dress was similar to her DVF Zarita Gown. While giving the same illusion as her Temperley London Amoret Gown.
The lace gown with nude underlay featured a sweetheart neckline at the front and deep back neckline. it had a black velvet detailing at the neckline and waistline. The sheer sleeves with slight puff gave the romantic vibes to the outfit. The fitted bodice gown was cinched at the waist and had a flared skirt. The fabric was seen in many of label’s pieces including this peplum dress.
Telegraph’s Tamara Abraham gave some wonderful words about the outfit,
Lace is timeless, but the pattern also creates a sense of drama and helps her stand out. Kate, no stranger to complex dress codes and royal protocol understands that it’s her job to be identifiable – lace helps her do that while sticking to black tie. It’s likely a tactic learned from the Queen, who is said to always wear bright hues so that she can be easily spotted by the crowds who gather to see her.